We have the latest technology in video production. We own Sony & Panasonic Full HD & 4K cameras, professional cranes Jimmy Jeep Triangle, 4K video mixing consoles Sony & Panasonic & wireless A/V transmitters and receivers for 100% wireless video shooting. Finally, we own the only masterpiece available in Egypt (Sony Anycast Station), it’s the only device that do seamless switching with FHD in & FHD out.
The PXW-X400 Shoulder Camcorder Body from Sony features three-chip 2/3” Exmor CMOS image sensors to offer high picture quality and S/N ratio. The PXW-X400 Camcorder supports the Sony XAVC codec up to 1080/59.94p and 50p recording, in addition to MPEG and DVCAM formats.
6K Full-Frame "Exmor R" sensor for stunning picture quality.
The back-illuminated full-frame 6K CMOS sensor uses Sony’s Exmor R technology for improved sensitivity and reduced noise. When recording at DCI 4K* Ultra HD resolutions, the ability to oversample and capture at 6K, combined with powerful image processing, ensures that subtle details and textures beyond those that can be captured by a conventional 4K sensor are retained while at the same time noise is reduced.
Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area, providing a wider angle of view, making it easier to gain a shallower depth of field. You can also shoot with Super 35mm lenses without compromise, capturing at 4K in super 35 mm with all the benefits of this advanced imaging sensor.
Over Sampling HD Processing is an advanced debayering algorithm for image processing that effectively utilises the abundant powers of 4K image capture in Full HD recording. The camera captures a 4K image, the RGB channels are separated into three individual 8 megapixel 4K signals and the 4K RGB signals are then multiplexed and scaled down internally into a Full HD (1920x1080) signal. This improves the perceived resolution and allows you to record a significantly cleaner Full HD image.
The PMW-EX3 combines a state-of-the-art, non-linear XDCAM workflow with simply the best HD quality yet seen in a semi-shoulder camcorder. It is also the first semi-shoulder camcorder to carry the legendary CineAlta 24P brand with multiple frame rate recording capability such as 59.94i, 50i, and native 23.98P, as well being 1080i/720P switchable.
The EX1R supports multiple frame rate recording such as 59.94i, 50i, and native 23.98P and 25P as well as being 1080i/720P switchable. There is also a choice of a 35Mb/s High Quality mode, 25Mb/s HDV 1080i compatible mode and 25Mb/s Standard Definition DVCAM recording. Twin memory card slots support up to 280 minutes HD recording time using two 32GB SxS PRO memory cards.
JVC's new GY-HM750 brings a new level of features and performance to its popular compact shoulder product line. Based on an upgraded 3rd generation digital processing engine, the HM750 offers improved picture quality and the ability to record either HD or SD directly to economical SDHC solid state media. Dual memory card recording now permits recording on both cards simultaneously, or individually for virtually unlimited recording time. And like other ProHD camcorders, it records in the native file formats of popular professional editing systems for the world's fastest workflow. The GY-HM750 is now equipped with a 68-pin chassis connector that allows various modules such the KA-AS790 ASI adapter to be attached without external cabling--ideal for live microwave broadcasts. Whether you're shooting news, commercials, documentaries or music videos, the GY-HM750 is the ideal camcorder.
Shoot stunning 5K video that maintains serious detail even when zooming in and capturing 14.7MP frame grabs. Also records in 4K, 2.7K, 1440p and 1080p.
With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilisation, the α7S III again raises the bar for movie makers.
The EOS 5D Mark IV camera boasts a full-frame, high-speed CMOS sensor that’s ideal for a broad range of applications with its remarkable high-resolution abilities. Measuring approximately 36.0mm x 24.0mm, the same size and ratio as a 35mm film frame, it records 30.4 effective Megapixels at normal ISOs of up to 32000. It also captures incredible still and 4K video clips suitable for significant post-processing, retouching and cropping. Versatile in virtually all kinds of light and any shooting situation from print and wedding to full-bleed magazine spreads and other commercial or fine art use, the EOS 5D Mark IV consistently produces high-resolution 4K video and image files that are easily compatible with any number of diverse workflows.
ATEM Television Studios are the first live production switchers designed for both broadcasters and AV professionals. There are 2 powerful HD models with 4 SDI and 4 HDMI inputs and a new Ultra HD model with 8 12G-SDI inputs. Packed with high end broadcast features, ATEM Television Studio models feature re-sync on all inputs so you always get clean switching whether you’re using professional or consumer cameras. Plus, you get multiview output so you can see all of your sources, preview and program on a single screen, aux out, built in talkback, 2 still stores, an audio mixer, camera control unit and more! ATEM Television Studio Pro models have the same features plus an integrated professional broadcast hardware control panel and additional CCU controls. Both models are perfect for live production, episodic television, web shows, AV or even live coverage of video gaming competitions! Simply plug in your cameras, game consoles or computers and start switching live!
ATEM Mini switchers make it easy to create professional multi camera productions for live streaming to YouTube and innovative business presentations using Zoom, Teams or Skype! Simply connect ATEM Mini and you can switch live up to 8 high quality video camera inputs for dramatically better quality images. Or connect a computer for PowerPoint slides or gaming consoles. The built in DVE allows exciting picture in picture effects, perfect for commentary! There are loads of video effects too! ATEM Mini has a built in hardware streaming engine for live streaming via ethernet, or stream via the USB which also works like a webcam. ATEM Mini even has secret broadcast features for high end work!
The Anycast Station is an integrated, portable and easy to use solution that can be used by customers that require professional results and mobility. The Anycast Station's all-in-one design helps keep set-up time to a minimum, and allows it to be easily moved from location to location. Measuring just 424 x 114 x 354 mm (W x H x D) and weighing around 8kg, the Anycast Station is compact enough to be carried by hand, yet has a number of professional features you would expect for live event content production - including RGB and video inputs and outputs. The Anycast Station now has two optional interface modules that extend the system's wide capabilities: the BKAW-560 HD Analogue Component I/O Module and the BKAW-590 HD-SDI I/O Module. End users can now migrate from analogue to digital or SDI to HD simply by swapping the modular BKAW interface cards.
The Ronin-S gives independent filmmakers the power to capture spontaneous moments with clarity, smoothness, and a refreshing perspective. SmoothTrack applies to all three axes. Hold down the front trigger to transition from Upright to Underslung Mode in one seamless movement with no gimbal framework obstruction. New Sport Mode allows you to capture fast-moving scenes instantly.
The Ronin-M gives independent filmmakers the power to capture spontaneous moments with clarity, smoothness, and a refreshing perspective. SmoothTrack applies to all three axes. Hold down the front trigger to transition from Upright to Underslung Mode in one seamless movement with no gimbal framework obstruction. New Sport Mode allows you to capture fast-moving scenes instantly.
Ranging from 6 ft (1.8m) to 40 ft (12m) with innovative construction and portability, the Jimmy Jib Triangle Pro is designed to meet your professional demands in the studio or on-location.
An uprated camera is equipped with a 1-inch 20-megapixel sensor capable of shooting 4K/60fps video and Burst Mode stills at 14 fps.The adoption of titanium alloy and magnesium alloy construction increases the rigidity of the airframe and reduces weight, making thePhantom 4 Pro similar in weight to the Phantom 4. The FlightAutonomy system adds dual rear vision sensors and infraredsensing systems for a total of 5-direction of obstacle sensing and 4-direction of obstacle avoidance. The onboard camera has been redesigned to use a 1-inch 20-megapixel CMOS sensor. A custom engineered lens made up of eight elements isarranged in seven groups, it is the first DJI camera to use a mechanical shutter, eliminating rolling shutter distortion which can occur when takingimages of fast moving subjects or when flying at high speed. In effect, it is as powerful as many traditional ground cameras. More powerfulvideo processing supports H.264 4K videos at 60fps or H.265 4K at 30fps, both with a 100Mbps bitrate. Advanced sensors and processorsensure everything is captured with more image detail and the image data needed for advanced post-production.
1-inch CMOS Sensor The brand new 1-inch CMOS sensor has an active sensing area four times more effective than the original Mavic Pro. The large sensor also means better performance in low-light environments with a more extensive ISO range, max ISO lifted from 3200 to 12800. 10-bit Dlog-M Color Profile The Mavic 2 Pro supports a 10-bit Dlog-M color profile that yields higher dynamic range for more flexibility in the grading room. The system records over 1 billion colors (compared to the 16 million colors from traditional 8-bit color coding technologies) and retains more in-depth details in both highlights and shadows. Now you can capture the subtlest gradations at sunset or sunrise, leaving greater space for post-production. HDR Video With 4K 10-bit HDR support, the Mavic 2 Pro can be plugged into a 4K TV with HLG and will immediately play back footage with the right color tones. The brighter highlights and increased contrast are what make HDR video so appealing.
Our team is always available to assist you.
hazem.nabil@samevents.com
+20 122 2222 251
3 Ahbab El Rasoul Street, Al Sefarat Borg El Safwa, 8th Floor, 801, Nasr City, Cairo, Egypt 11743